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I despise not being able to do some of the things that I feel I should be able to on my Maschine. Mix it up and maybe throw some triplets in and you have yourself some ready-made DnB.Īdd a third sound with a simple melody line and side-chain it to the existing drum or bass track with a Filter effect by selecting the first sound as an input, tweak accordingly and have at it.Īpologies for the length of this post. (Samples will be mapped to C-2 so you may have to press octave down a few times to get there) Now if you play pads 1 through 16 at roughly the same tempo as the original loop you'll get both loops playing together. Link the Drums on 1 sound to the Bass or Synth on another sound using the Link Group function.
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Truncate, Stretch and Slice into 16 or 32 samples using the SAMPLING button. The guide, and has a few different packs to offer so show him some love in 2015 for Free Mashcine Expansions nice 1. You can get some really cool results applying the same technique to chopped up DRUM, BASS and SYNTH loops. Now run your fingers through that flamenco scale like Michael in that Billie Jean video. Use CHOKE groups to have one sound effectively mute the other when played, again, tweak to taste. Now hold Pad Mode and LINK the two sounds to the same Link Group so you hear both sounds when pressing either pad.
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Load a more percussion focused kit in Sound 2, something with timpani, toms or congas along with a beat repeat effect. Try loading a guitar sample with a little reverb/delay in Sound 1 and setting it to the Flamenco scale. Or you can forego the notes, load up an instance of Battery or SSD and still apply the technique above. Harmonizer is context sensitive to the Scale parameter so switching to a Minor Scale, Harmonizer types will change to: Octave, Perfect 4, Perfect 5, Major, Minor, Suspended 4, Major 7, Minor 7, Dominant 7, Dominant 9, Minor 7b5, Diminished 7, Augmented, Quartal and Trichord and when arpeggiating these are the only tones you hear. I've used this on the lower registers to inspire more esoteric basslines.ĬHORD has a harmonizer function which allows you to arpeggiate certain notes in a scale.įor example, if the Scale is set to Chromatic and Chord is set to Harmonizer, under TYPE you have the ability to specify:
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Try a different scale spanning multiple octaves. You can select a different scale (Major, Minor, Harmonic Minor,Major Pentatonic, Minor Pentatonic, Blues, Japanese Freygish, Gypsy, Flamenco, Altered, Whole Tone, Half-Whole Diminshed, Whole-Half Diminshed). If you hold Pad Mode again you get SCALE and CHORD.īy default the Arp runs through a chromatic scale. TYPE (UP, DOWN, UP&DOWN, ORDER PLAYED and CHORD) If you pin Pad Mode (Shift+Pad Mode) while Note Repeat is on (or turn on Note Repeat while in Pad Mode) you have controls for a more functional arpeggiator: If you pin Note Repeat you have the following controls: Another 'almost' hidden feature is when using the Note Repeat function.